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| Sarah Blasko "We did try and make the music really alive," explains Sarah Blasko of her third album, 'As Day Follows Night'. "In moments it's really playful, but really expressive. I think that's why it's important for each of the instruments to be really clearly heard, because then you hear the character - you hear the movement of the bass player's hands down the neck of the double bass, and you hear all these additional sounds and things that give you the feeling of being in the room. I think that was really important." As such, there's a jazz-like feel to the album, as opposed to the relative pop sheen found on her debut. | The Embassadors Coptic Dub Nonplace/ Fuse At first glance, 'Coptic Dub' really shouldn't work. Combining the rather disparate genres of cool, mildly improvised jazz with dub production and grooves isn't the most obvious thing in the world to do, but somehow, the whole thing hangs together and manages to be one of the best jazz albums of 2009. | |
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