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All the latest coverage on the Adelaide Festival of Arts and the Adelaide Fringe...

Adelaide Festival of Arts 2006
Festival Reviews:
· Devolution
· Flight
· Here Lies Love
· Forsythe Company '3 Atmospheric'
· Honk If You Are Jesus
· Macbeth
· Nora (A Doll's House)
· Pat Metheny Trio
· Three Atmospheric Studies

Adelaide Fringe Festival 2006
Fringe Features:
· Maria Bamford

Fringe Reviews:
The Latest...
· 20 Years Of The Pants
· A Conversation
· Adelaide Chamber Singers
· All The Things I Would Never Tell You
· Anorak Of Fire
· An Unfortunate Woman
· A Place
· Aunt Aggie's Gut Rot
· Bryan Lynagh
· Big Al & Mark 'Give Us A Hug'
· Circus Oz
· Daniel Kitson
· Danny Bhoy
· Dave Williams
· Diablo 2
· Gareth Berliner 'Is Gutless'
· Highway Rock & Roll Disaster
· I Heart Racism
· Lano & Woodley 'Goodbye'
· Laughing At Gravity
· Lost Babylon
· Mickey D 'The Return Of'
· Miss Blossom Callahann
· Miz Ima Starr
· Myth Understandings
· Piano Contrasts
· Rich Hall
· Simon Munnery
· Splitting The Bill
· Star Trek
· Stephanie McCallum
· The Umbilical Brothers
· Trad
· Tripod
· Wanted: A Memory Of Baterz
· White Men With Weapons

Reviewed so far...
· '2 Connect'
· 4:48 Psychosis
· 52 Pick Up
· A Conversation
· Acquiescence
· Akmal Live
· Angry Young Man
· Anthony Jucha
· An Unfortunate Woman
· Best Of Adelaide Comedy
· Black Crown Lullabies
· Bob Log III
· BrianLynagh 'After Hours'
· The Bubonic Play
· Burlesque Hour
· Candy Butchers
· Charlie Pickering
· Circuit Breaker
· Circus Elysium 'The Last Days Of Mankind'
· Circus Ole
· Craig Egan
· Cream Of Irish
· Dancing At Lughnasa
· Danny Bhoy
· Dave Bloustien 'ST*RF*CK*R'
· De Niro: Behind The Mask
· The Dolls
· Eddie Perfect
· Even
· Felix Listens To The World
· Greg Fleet
· Heart Of Daftness
· I Heart Racism
· Judith Lucy 'I Failed'
· Justin Hamilton
· Katrina Miani 'Reality TV Freak'
· Kransky Sisters
· La Clique
· The Last Days Of Mankind
· Leah Purcell 'The Good Body'
· The Lost Babylon
· Mia Dyson
· Michael Chamberlin
· Miss Blossom Callahann
· M[o]th
· Myth Understanding
· Omon Ra
· Penny Ashton 'Hot Pink Bits'
· Pricks
· Ross Noble
· Sista She 'Inna Thigh'
· Splitting The Bill
· Star Trek
· Tales From The Erotic Cat
· Telefunken
· The Bogus Woman
· The Lost Babylon
· The Moirai
· The Sixth Sense
· The Somewhat Secret Secret Society Show
· The Space Cowboy
· The Travellers
· Tom Gleeson
· Tomas Ford's 'Cabaret Of Death'
· Under Milk Wood
· Waiting For Guinness
· Visual Arts and Venues Guide Launch
· Wilson Dixon
· Zack Adams 'A Complete History'



Tripod 'Self Saucing'
Royalty Theatre
Thurs 9 March


I hate reviewing comedy shows. How can you tell other people how funny a show was without spoiling it? But what I can say is, I thought Tripod were funny on Skithouse and Triple J, and I can say they're absolutely fabulously hilarious live.

Beginning with the theme song from 'Highlander', Princes Of The Universe, sung by Queen, the boys started with a full on rock show, with flashing T R I P O D sign rocking out while they posed on stage. They then picked up their acoustic guitars and began to do their own tune. Their song was decidedly less rocky, but quite funny nonetheless. After their first song they started their banter, wondering why we didn't cheer for the sign, claiming it cost them a lot of money. The sign was the focus of many puns, my favourite being when they were talking about merchandising and selling out to corporations; the ipod part of the tripod sign started flashing.

Another funny but unintentional prop gag came from Gatesy's guitar string breaking.

They did a collection of old and new material, including Lingering Dad, Frustration, Gonna Make You Happy Tonight (my favourite because it's all about playing video games) and Oil In The Congo.

Their "Show Us the Fucking Monkey" was a hilarious stab at Peter Jackson for taking so long to show us the monkey in 'King Kong', and "the Prison Song," about a man who is arrested for suicide bombing a bus (think about it) was both political and incredibly funny simultaneously.

Tripod are accomplished musos, playing together really well and using their voices wonderfully. Their in-between song banter was genuinely funny and never seemed forced or rehearsed. Whilst once they may have been a DAAS knock off, they've definitely come into their own and now outshine the former comedy trio in both originality and musical style. They could get better haircuts though.



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