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All the latest coverage on the Adelaide Festival of Arts and the Adelaide Fringe...

Adelaide Festival of Arts 2006
Festival Reviews:
· Devolution
· Flight
· Here Lies Love
· Forsythe Company '3 Atmospheric'
· Honk If You Are Jesus
· Macbeth
· Nora (A Doll's House)
· Pat Metheny Trio
· Three Atmospheric Studies

Adelaide Fringe Festival 2006
Fringe Features:
· Maria Bamford

Fringe Reviews:
The Latest...
· 20 Years Of The Pants
· A Conversation
· Adelaide Chamber Singers
· All The Things I Would Never Tell You
· Anorak Of Fire
· An Unfortunate Woman
· A Place
· Aunt Aggie's Gut Rot
· Bryan Lynagh
· Big Al & Mark 'Give Us A Hug'
· Circus Oz
· Daniel Kitson
· Danny Bhoy
· Dave Williams
· Diablo 2
· Gareth Berliner 'Is Gutless'
· Highway Rock & Roll Disaster
· I Heart Racism
· Lano & Woodley 'Goodbye'
· Laughing At Gravity
· Lost Babylon
· Mickey D 'The Return Of'
· Miss Blossom Callahann
· Miz Ima Starr
· Myth Understandings
· Piano Contrasts
· Rich Hall
· Simon Munnery
· Splitting The Bill
· Star Trek
· Stephanie McCallum
· The Umbilical Brothers
· Trad
· Tripod
· Wanted: A Memory Of Baterz
· White Men With Weapons

Reviewed so far...
· '2 Connect'
· 4:48 Psychosis
· 52 Pick Up
· A Conversation
· Acquiescence
· Akmal Live
· Angry Young Man
· Anthony Jucha
· An Unfortunate Woman
· Best Of Adelaide Comedy
· Black Crown Lullabies
· Bob Log III
· BrianLynagh 'After Hours'
· The Bubonic Play
· Burlesque Hour
· Candy Butchers
· Charlie Pickering
· Circuit Breaker
· Circus Elysium 'The Last Days Of Mankind'
· Circus Ole
· Craig Egan
· Cream Of Irish
· Dancing At Lughnasa
· Danny Bhoy
· Dave Bloustien 'ST*RF*CK*R'
· De Niro: Behind The Mask
· The Dolls
· Eddie Perfect
· Even
· Felix Listens To The World
· Greg Fleet
· Heart Of Daftness
· I Heart Racism
· Judith Lucy 'I Failed'
· Justin Hamilton
· Katrina Miani 'Reality TV Freak'
· Kransky Sisters
· La Clique
· The Last Days Of Mankind
· Leah Purcell 'The Good Body'
· The Lost Babylon
· Mia Dyson
· Michael Chamberlin
· Miss Blossom Callahann
· M[o]th
· Myth Understanding
· Omon Ra
· Penny Ashton 'Hot Pink Bits'
· Pricks
· Ross Noble
· Sista She 'Inna Thigh'
· Splitting The Bill
· Star Trek
· Tales From The Erotic Cat
· Telefunken
· The Bogus Woman
· The Lost Babylon
· The Moirai
· The Sixth Sense
· The Somewhat Secret Secret Society Show
· The Space Cowboy
· The Travellers
· Tom Gleeson
· Tomas Ford's 'Cabaret Of Death'
· Under Milk Wood
· Waiting For Guinness
· Visual Arts and Venues Guide Launch
· Wilson Dixon
· Zack Adams 'A Complete History'



4:48 Psychosis
Brink Productions & Budgie Lung Theatre
Queens Theatre until Sun 12 March


The audience first sees four actors crouched together on a large square of sandy loam, shivering beneath omnipresent misting rain. They look like lost souls...

'4:48 Psychosis' is a remounted production of Sarah Kane's play which deals with the torment of depression, the depths of despair into which an individual can slide, the medical maladministration of the disease, and the nature of psychotic episodes.

Four actors pay four aspects of the same woman, questioning and probing her psyche, challenging her intellect, baiting her for her life. Lizzy Falkland is the remaining cast member from the original production, and she is simply outstanding. Joined by Elena Carapetis, Kate Box and Roman Vaculik, it is the latter actor who really powers this production along with his taut and explosively violent movement. As they investigate their minds the actors scrabble - sometimes literally - in their 'sandpit'. It's a metaphor for something, I guess.

With the action tightened for a Fringe performance (it runs under an hour), Director Geordi Brookman has made Kane's text more accessible to the audience; dense slabs have been judiciously pruned, and there's no time to become bored. This is not comfortable theatre, for the spectre of Kane's own suicide hangs over the proceedings most heavily. Yet neither is it simply a performance which documents an inexorable descent - or a blueprint. For one thing, the writing is too vivid, too humorous, too good. For another, in the hands of Brink and its actors the performance is simply too vibrant and enthusiastic, too full of possibilities. A must see.


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