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Matchbook Romance
Voices
Epitaph/Shock
After the pop-drenched emo-melodrama of debut full-length 'Stories And Alibis,' who could have predicted that US outfit Matchbook Romance would have been capable of 'Voices'? Who would have thought that after one listen the words that would have sprung to mind would have been "complex", "dark", "Muse" and "Radiohead"? Who wouldn't be absolutely startled by this record?
Opening with the haunting You Can Run, But We'll Find You,
'Voices' is a dark concept album of sorts; and not dark in that My
Chemical Romance "there are vampires after me" kind of way - the riffs
are heavy, the bass throbbing and distorted, the cover art bizarre
and Andrew Jordan's lyrics cliche-free and bitter ("you're just chasing
shadows / show us some heart and confess your sins"). Jordan's melodies
are far less direct, channelling Matthew Bellamy and Thom Yorke like
there's no tomorrow, a notion which the album's bleak outlook seems
to agree with. The album takes listen after listen to wrap your head
around, the songs ranging from the sprawling seven-minute epic Goody,
Like Two Shoes which bounces along string lines from see-sawing
verse to soaring chorus, to the carnival punk blast of Monsters
- and it is a very disturbing carnival indeed. Matchbook Romance remain
at their best when combining their new-found arrangement prowess with
their already displayed penchant for catchy hooks - the brilliant
Fiction, replete with choppy rhythms, a knockout chorus and a furious
instrumental breakdown is quite simply the most exhilarating emo track
I've heard since Brand New's Sic Transit Gloria... Glory Fades.
'Voices' is a flawed record. Those new influences I've spoken of are
painfully obvious; My Mannequin Can Dance's riff directly channels
Muse's Apocalypse Please, the vocal melodies are quite a strict
combination of Matchbook melodrama, 'Absolution' and 'OK Computer,'
and the piano intro to You Can Run sounds a little too much
like Karma Police. It's also a very long record, and the songs
can get lost in ideas that get repeated a little too often. That said,
it is also a very brilliant record, a record that demands that non-believers
take emo seriously, a record that is a huge step up for Matchbook
Romance, and a record that only heightens my anticipation for what
Brand New will come up with later in the year.
Matt Vesely

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