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All the latest coverage on the Adelaide Festival of Arts and the Adelaide Fringe...

Festival Features:
· Random Dance
· Australian Dance Theatre
· Flight
· Honk If You Are Jesus
· Macbeth

Fringe Features:
· Acquiescence
· Adam Vincent
· Cake
· Comedy 4 Kids
· Damian Callinan
· Dave Bloustien
· Dave Williams
· The Good Body
· LaLaLuna
· The Lost Babylon
· Miss Blossom Callahann
· Rod Quantock
· Tripod
· The Umbilical Brothers
· White Men With Weapons

Reviews:
· 4:48 Psychosis
· 52 Pick Up
· Anthony Jucha
· Best Of Adelaide Comedy
· Charlie Pickering
· Craig Egan
· Cream Of Irish
· Dancing At Lughnasa
· Eddie Perfect
· Felix Listens To The World
· Justin Hamilton
· Kransky Sisters
· La Clique
· Michael Chamberlin
· Omon Ra
· Pricks
· Tales From The Erotic Cat
· Telefunken
· The Bogus Woman
· The Moirai
· The Sixth Sense
· The Space Cowboy
· The Travellers
· Under Milk Wood
· Waiting For Guinness
· Candy Butchers
· Circuit Breaker
· The Dolls 'In Freudian Slips'
· Burlesque Hour
· Wilson Dixon
· Tomas Ford's 'Cabaret Of Death'
· Sista She 'Inna Thigh'
· Ross Noble
· De Niro: Behind The Mask
· Dave Bloustien 'ST*RF*CK*R'
· Angry Young Man
· Devolution
· Judith Lucy 'I Failed'
· Leah Purcell 'The Good Body'
· '2 Connect'
· Akmal Live!
· Black Crown Lullabies
· BritCom... edy
· The Bubonic Play
· Circus Elysium 'The Last Days Of Mankind'
· Circus Ole
· Greg Fleet
· Heart Of Daftness
· Penny Ashton 'Hot Pink Bits'
· The Lost Babylon
· M[o]th
· Katrina Miani 'Reality TV Freak'
· The Somewhat Secret Secret Society Show
· Tom Gleeson
· Zack Adams 'A Complete History'
· Visual Arts and Venues Guide Launch

Adelaide Festival of Arts 2006

Adelaide Fringe Festival 2006


The Bogus Woman
Queens Theatre
Until Sun 19 March



'The Bogus Woman' is a totally captivating piece of theatre. Actor Sarah Niles deftly and energetically shuffles between a rather extensive array of characters that revolve around and include a nameless woman who arrives at Heathrow airport with a phoney passport. The immigration authorities are characteristically sceptical and have her incarcerated in the United Kingdom's notorious refugee detention centre, Campsfield House. Even when partial freedom is found, she finds many other facets of English society prepared to take their oppressive place.

The script at its core entails very strong accusations and criticisms of institutional violence in relation to asylum seekers, not only in Britain but in all the prosperous countries that are ambivalent about immigration, and hence is salient to Australia. The crux of the criticism is fairly simple, being that many such immigration systems, whilst providing a certain amount of security, operate in a manner contrary to human rights. But Sarah Niles' performance drives and articulates the message with such force and persuasion that the point made actually seems original, and this is a feat worthy of recognition.

Complemented by pleasingly discrete technical features, including some wonderfully evocative but simple lighting design, 'The Bogus Woman' perfectly achieves what it sets out to accomplish.


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