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Sheryl Crow
Wildflower
UMA
The last studio release for the Tuesday Night Music Club girl (aka
The Ex-Almost-Mrs Lance Armstrong) was 2002's 'C'Mon C'Mon', a great
blend of 60's and 70's rock, (especially on the title track and the
sublime Steve McQueen). However, 'Wildflower' sees Ms Crow at 40 and
reflecting more on the now, with nary a radio friendly track on offer;
although the mid-tempo, Travelling Wilburys-esque first single Good
Is Good is likely to cause some head scratching at more than one
radio station, with lots of (real) strings washing over her sublime
guitar.
And that sorts of sums up 'Wildflower': a lushly-produced 50 minute,
12 track release that perhaps signals Ms Crow is seeking more to her
life, via intimate-sounding tracks like Chances Are, Letter
To God, Always On Your Side and I Know Why (the
latter two sounding suspiciously like homages to a certain deadly
treadly rider). And is the outstanding Lifetimes a leftover
from the 1993 debut? Listen to that underlying signature guitar riff
over that loose shuffle and tell me it doesn't immediately signal
"Sheryl Crow".
This therefore is not an album to jump up and around and dance to; instead, grab a bottle or two of your favourite drop and settle back for an hour or so with the one you love, and escape or contemplate the world for a while.
Mark Liebelt

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