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Straylight Run
Prepare To Be Wrong CD-EP
Victory/Stomp
John Nolan, former songwriter and second vocalist for emo giants Taking Back Sunday, left that band embittered by not only personal disputes but a feeling that the music was being compromised by a desire to sell records (although this reviewer reckons TBS's post-Nolan offering 'Where You Want To Be' indicated otherwise). Unfortunately for Nolan, all this anti-commerciality clashing with his obvious pop sensibilities resulted in a pretentious (albeit often brilliant) mess in the form of Straylight Run's debut album earlier in the year.
On this six-track follow-up, however, Nolan's settled where he wants
to be. Opening with an indicative atmospheric number, the electro-driven
I Don't Want This Anymore, Straylight Run have for the most part
ditched their emo-pop fare for a spacier, more open sound that allows
Nolan's penchant for melodrama to breathe easier. In fact, it's when
Nolan allows the pop to creep in that things fall apart - the chorus
of It Never Gets Easier seems like a cop out when juxtaposed
to the dark, hushed backing vocals of its verse. Hands In The Sky
(Big Shot) offers Straylight's finest moment so far when the sweeping
ballad builds to Nolan's scream of "give it up boy! Give it up or
you're gonna die!" in a breakdown that is more reminiscent of ...Trail
Of Dead than Taking Back Sunday. Lyrically, however, Nolan obviously
hasn't forgotten his former band, nor forgiven them if A Slow Descent
is anything to go by: "The focus on friends and the feelings / that
made those stupid songs all worth singing," and "as soon as it began
it was ruined / a slow descent from unique to routine," sound just
a tad bitter. With 'Prepare To Be Wrong' Straylight Run have set their
sights on greatness, but, if Nolan & Co want to stop being compared
to TBS, they should probably stop singing about them.
Matt Vesely

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