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Speedstar
+ The Avenues, Sunset Club
Thurs 1 Sept, Jive Bar
Oh Adelaide, what's wrong with you? You curse the big-name bands who decide not to grace our city, yet you fail to support the national bands whose tours include our town. So another quality show hits town, but only a few dozen people leave the comfortable mediocrity of the 'burbs.
The Sunset Club began proceedings with a clean indie guitar sound
and cool minimalistic use of vocal harmonies, though the vocalist
let loose with a few screams as the whole band turned up the rock
sound. Four Seconds provided a different sound complete with
violin and underpinned with distorted guitars.
The epic guitar sound of The Avenues set was particularly striking,
as was their professionalism and solid harmonies. Their familiar but
likeable alternative rock sounds were built around a significant wall
of gutsy riff rock. The song Slow Moving was particularly melodic
while So I Don't Think Anyone Minds began like a breath of
fresh air and developed to a big rock finish, while their raw rock
version of the Beatles' Taxman contained guitar solos bigger
than anything I've heard by the Fab Four.
On this quiet evening in Adelaide, Speedstar treated this small bunch
of loyal followers to a super set of their classics, plus three yet-to-be-released
songs. The gorgeous melody of Crying was irrepressible, but
live its thunderous drums and swirling guitars added something extra.
The single Song For You, was backed with ample guitars, however
without the characteristic feedback section at the crescendo: the
punters were instead treated to an extended section of harmonica.
Nothing could bring Speedstar down: there was much good humour between
the band members as well as a real free and easy vibe towards the
crowd too, happily joking about "hit singles", spilt beer and their
instruments. Gospel #27 was as stirring a gospel song as you
could hope for white boys from Queensland to be able to perform.
Two of Speedstar's new songs were definitely within the realm of their
other smooth and gentle numbers, one of which containing mandolin
and mouth organ. However, their third new song started gently but
its interesting drum timing it led to an intense finish. It was nonetheless,
the golden pop moment of Unbreakable that was highlight of
the evening as Speedstar demonstrated their unique skill in matching
melancholy and beauty.
Scott Berry

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