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Brendan Benson
The Alternative To Love
FMR
When Brendan Benson was a tot, his parents used to put him between the stereo speakers and play Bowie and Led Zeppelin. Perhaps it was to drown out the sound of a screaming child, but nonetheless it seems to have had a positive effect on the man. The singer/songwriter/multi-instrumentalist's third album positively reeks of these musical influences. And believe me, it's a good thing: Benson has a pop sensibility so rarely seen nowadays.
Spit It Out begins proceedings with gorgeous harmonies, tasteful
guitar riffs, pops, clicks and even a theremin, and is one of the
best upbeat album openers I've heard for a long while. This is how
good pop sounds. From the Beatles-song-the-Beatles-never-wrote, Them
And Me, to the smooth Crowded House-esque Flesh and Bone
and the riff-tastic Get It Together, it's clear Benson wears
his influences on his sleeve and despite playing almost every instrument
on every track he never sounds self-indulgent or trite. Benson has
a knack of drawing the listener in, always introducing a new theme
or unexpected chord change that leaves you wondering if you've heard
this song before. There's definitely a familiar feel to the songs,
so one could easily dismiss this as an album of competent fillers.
However, you'd be foolish to do so. Each song warrants closer inspection
and with Tchad Blake behind the mixing desk, the instruments sound
lush, warm and spatial.
I highly encourage you to grab some good headphones and enjoy this album with a cup of tea, sitting in a bean bag dreaming of the perfect summer's day. Me, I'm going to grab my son, plonk him in front of the stereo and put on some Pixies.
Sasha Pazeski

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