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Tweet
It's Me Again
Atlantic/Warner
It took a lot of replaying with a wide open mind before I began to
even somewhat warm to Tweet's 'It's Me Again', but even time couldn't
turn up the heat. Over 15 tracks not once does Tweet go off. Where
Do We Go From Here is a snooze, as is You, and many of the lyrics
are laughable, such as Cab Ride: "Can you be my ride? / What's
your fare? / Mister can you take me there?... / Taxi... / Take me
to his home. I wanna give him all of me cause I'm alone". Another
example of lyrical genius is Iceberg's "I slipped up and fell
in love with an iceberg / How could you turn so cold? / You turned
so cold / I gave you all I had, yes I did." Before I read the cover
I thought, "who would bother to produce such rubbish?" But then I
eyed the executive producer credit: none other than Missy Elliott!
I'm unsure if "Misdemeanour" feels a strong loyalty to Tweet or if
she is boosting her own ego with attempts to produce a star, but it
certainly doesn't help the cause when Missy's two appearances on the
album in Turn Da Lights Off and Things I Don't Mean
outshine Tweet's performance throughout the whole record. Tweet simply
mumbles her way through verses, endeavouring to rhyme with unfit phrases.
Sport, Sex And Food is probably the greatest track, but primarily
for its rhythm, not its lyrics.
'It's Me Again' is a disappointment and from the success of her debut
album 'Southern Hummingbird', particularly the single Oops (Oh
My), Tweet really should not have re-emerged until she could return
with something at least half-decent.
Sherree Woodmore

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