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Trentwood
Autotunes
Pact/MGM
Phil Ceberano, writer, singer and guitarist for Trentwood certainly
has similar commercial pop music sensibilities to his famous sister
Kate. 'Autotunes' is an easy-listening pop album, full of happy tunes
about girls and breaking up with them: a timeless commercial formula.
Unfortunately, it's a formula Trentwood rely too heavily upon and
Ceberano's clearly-voiced musings are at best trivial and at the worst
insulting. Void of fire, passion, and seemingly even of care, the
relationships presented throughout the album seem like a pointless
discussion based upon a blend of cliches about love. The sentiment
of Breaking Up Is A Drag is not one of poignant humour (in
the ilk of Custard) but of casual indifference and Ceberano simply
isn't a good enough lyricist to make it interesting.
Perhaps I'm missing the point: the music is after all, straightforward
and manageable pop rock, undeniably bouncy and happy. The guitar-based
songs do have a fun beat that invities audience movement and this
really is enjoyable background music. Unfortunately for Trentwood,
'Autotunes' is precisely that - pleasant background music. Deliberate
listening offers nothing interesting or exciting, and the quirkiness
of songs quickly becomes mundane. Even Wide Open Wide, a cruisey
and mellow song that shifts right away from the happy-go-lucky style,
is only really strong for the first verse and chorus before it becomes
stale.
I'm finding it difficult to work out whether 'Autotunes' is a clear case of underachievement, or whether Trentwood have made exactly what they wanted: a great background soundtrack for a lively pub.
Steven Williams

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