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New Buffalo
The Last Beautiful Day
Dot Dash/Remote Control/Inertia
It was once suggested by the late David McComb of seminal Australian band The Triffids that the one thing that was missing in most local music was atmosphere. Although The Triffids may have little in common with Melbourne artist New Buffalo - aka Sally Seltmann - upon listening to 'The Last Beautiful Day' I couldn't help but be drawn in by the atmosphere that Seltmann creates with apparent ease.
After her debut EP, 'About Last Night' some years back, 'The Last Beautiful Day' represents New Buffalo's first full-length effort from. For anyone who has had the pleasure of hearing her first release, seen a live performance, or heard any of these songs on the radio, I urge you to discover this record so as to save me the difficulty of trying to describe the joy I've experienced listening to it. Numerous tracks possess a unique, almost lounge-pop style that leaves you in two minds, whether to dance, or relax and ponder their beauty. Usually the best decision is to try and dance ever so slightly within the confines of your chair.
An interesting quality of this album is the varied styles captured
throughout that seem to mesh so effortlessly (as shown by the opening
Recovery) resulting in an excitingly original release. One song I'll
never tire of hearing is the uplifting and almost dreamlike No
Party, which benefits from the sprawling drumming of the Dirty
Three's Jim White as the perfect counterpoint to Seltmann's lovely
vocals. Along with the White's contributions on a few songs, the album
is also graced by the lovely presence of Beth Orton who provides backing
vocals for the wonderful Inside.
Despite numerous highlights, the pinnacle of this release can only
be described as the most beautiful song in recent history: Come
Back. Seltmann's uncanny ability to capture a sound that encompasses
the feelings of both loneliness and longing so well is astounding.
What's so impressive about 'The Last Beautiful Day' is that Seltmann
takes certain risks in order to achieve her unique sound and those
risks pay off handsomely, creating the perfect example of an atmospheric
Australian release.
Scott Townsend

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