dB Magazine Online
NewsFeaturesMusicartsFilmGamesDanceMetalthe FridgePrize FrenzyAdvertisingAbout Us

Adelaide Cabaret Festival
Interviews:
· Ennio Morricone Experience
· Cabaret Fringe
· Before Time Could Change Us
· Mich en Scene
· Paris Combo
· Eden Atwood
· Bruised Ecstatic Collective
· Sean Peter
· Peter Berner
· 'Saturday Night Beaver' and 'The Pink Flamingo Lounge'

Reviews:
· Cabaret Fringe Festival
· Combo Fiasco
· Miche En Scene
· The Fiddle & The Drum
· Ruby's Story
· The Bruised Ecstatic Collective
· The Bar At Buena Vista
· Eden Atwood & The Last Best Band
· Kit And The Widow
· The Rat Pack's Back
· An Evening with Steve Ross
· Do You Know The Way To Ballarat?
· The Ennio Morricone Experience
· Eddie Perfect as Angry Eddie
· Madame
· Not Opera - Saturday Night Beaver

For more information on the Adelaide Cabaret Festival, including the full program and ticket deals, visit the official website at www.adelaidecabaret.com



Read Cabaret Festival interviews from previous issues:
Issue 333
Issue 332


Miche En Scene
The Songs of Jacques Brel
Space Theatre 11, 12, 15-17 June


Following acclaimed performances at last year's Edinburgh Festival, the Belgian quartet Miche en Scene have finally made their way to Adelaide for a keenly anticipated series of shows devoted to the master chansonier Jacques Brel. Though now dead for 25 years, Brel's songs still maintain their power with their poetic mastery, savage satire and bittersweet melodies. His influence can be detected in writers like Cohen and Cave and Miche en Scene attest to his continuing relevance.

Commencing with a highly theatrical version of the early Le Diable (Ca Va), vocalist Micheline Van Hautem covered a vast terrain of lost love, political satire and regret in both English as well as French. Highlights included the introspective and dark beauty of the late songs, Les Marquises, Voir Un Ami Pleurer and Le Bon Dieu. The more familiar repertoire - If You Go Away, Seasons in the Sun (Le Moribund), and the tale of Amsterdam's whores and sailors were given passionate performances.

Van Hautem triumphed over the chauvinism of some of Brel's characters and though Brel's voice echoes in my ears, the supporting musicians truly lived this music, with the accordionist Frederik Caelen as marvellous as Brel's own JoJo in Vesoul.

The Latin infected guitar of Frank de Kleer added a true sense of the heightened drama and bassist Bob Wisselink, in an often understated way, provided contemporary colour to Brel's passionate dramas. An ideal introduction to the grand maitre of French cabaret.



Return to top


Read the current issue...
The latest issue   
available now!   


Search dBmagazine.com.au using Google!

Fox Creek Wines

www.heidelbergcakes.com.au

GoOnline.com.au


All content copyright dB Magazine